A occupyer read Albee testament not burst to check tricks of language in operation; a to a greater extent raise analysis is to consider how the characters themselves are aware of language, of reading and beingness read, as a text, by other characters. Albees merriments, Whos hydrophobic of Virginia Woolf? and tierce pompous Women, show the obsession with language and its functions, twain beneficial and terrifying. Whos Afraid of Virginia Woolf? is as much about censorship, the attempts to assign speech, as it is about playacting and generating through language. Three Tall Women, as a memory play, exposes language as the primitive spend a penny of discovery. In both works, the characters take aim language in ways that may begin thin though never without meaning. Whos Afraid of Virginia Woolf?, to begin with, takes its title from a pun, seemingly not a very meaningful one, unless we read it as a turnabout of the traditional childrens tale and find that a fe mann ish has substituted for the male monster. But if we ask the idea of the pun as betraying the occult wish of words, and so we are thrown into a human beings where every verbal choice matters whether we understand it or not. Indeed, by entering the ingleside with George and Martha, we enter exactly this world, and the word play begins instantaneously and relentlessly.
A faintly remembered, unanchored phrase enters Marthas mind - What a dump! - and she will not rest, or let George rest, until she locates it in time and stern (3). A conflict immediately opens ground on how for each one perceives the others mode of communication at the ships company from which they are returning. Martha accuses George of passivity, of sit down a! round and talking rather than mixing, and George counters, Do you want me to go around all night braying at everybody, the... If you want to draw in a full essay, order it on our website:
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