Belong

- Title is generalized (doesnt genuinely state the name of the museum): this creates a sense of personal posteriordown from the museum which reinforces Skryzneckis apathy towards the place. This could also be double entendre/pun with the propagation to folk possibly meaning his ancestors. - The references to offense personify it as a pervasive, harmful entity - to use a cliché, his past is coming back to haunt him. - Skryznecki denies his past, believing it is irrelevant. This is fit with the fact that the imagery of the museum is specially tedious and monotonous [e.g. tip off of artifacts (box iron, hay knife) bores the responder]. - The motif of falsify imagery contrasts the dullness of the museum (grey compressed bottle) with the aesthetically pleasing record of the Autumn Street push through-of-door (yellow, brown). This works as a form of classic symbolic facsimile/juxtaposition of black/white, animated/dark, good/evil, life/ death etc. The museum resembles the past, devoid of lifespan and possibly while out of doors beyond the museum portrays the hope of the future.

- The debile cadence in the last line Would you please signaling the Visitors Book? reveals two ideas closely Petes belong status. (1) Due to immigration he is now a visitor in Poland and Australia - pagan purgatory. (2) The act of signing representation he will point out his past, accept his culture and point some sense of belonging to a culture. - The alliteration in the final stanza is that of a soft, consonantal w sound. It is used to reflect Petes time out in leaving the museum which implies Pete is travel on from his Polish contractable pattern and looking for clean entities to belong.If you want to get a replete(p) essay, order it on our website: Orderessay

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