Tuesday, April 9, 2013

The Picture of Dorian Gray: Morality and Immortality

Oscar Wilde, the author of The Picture of Dorian Gray, makes Basils life transpose drastically by having him paint a portrait of Dorian Gray and expresses too much of himself in it, which, in Wildes mind, is a troublesome obstacle to circumvent. Wilde believes that the artist should not portray any of himself in his work, so when Basil does this, it is he who creates his own downfall, not Dorian.

Wilde introduces Basil to Dorian when Basil begins to notice Dorian stark(a) at him at a party. Basil suddenly became witting that someone was looking at him. He turned middle(prenominal) around and saw Dorian Gray for the freshman clip (24). Basil immediately notices him, however Basil is afraid to blither to him. His reason for this is that he does not want any outside influence in his life (24). This is almost a puzzle in that it is eventually his own internal influence that destroys him. Wilde does this many another(prenominal) times throughout the book. He loved using paradoxes and that is why Lord Henry, the character most similar to Wilde, is quoted as world called Price Paradox. Although Dorian and Basil end up hating to each one other, they do enjoy meeting each other for the first time. Basil finds something different about Dorian.

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He sees him in a different way than he sees other men. Dorian is not only beautiful to Basil, but he is also winning and kind. This is when Basil falls in love with him and begins to paint the picture.

Basil begins exposure the picture, but does not tell anyone about it, including Dorian, because he knows that on that point is too much of himself in it. Lord Henry discovers the ikon and asks Basil why he will not video display it. Lord Henry thinks that it is...

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