Abstract:
Matthew Arnold is largely kn bear as a poet of Victorian social zymosis and spiritual crisis. The critics have shown profound interest to evaluate him as a classical poet in view of real estimate. Their memory access has often led to misleading judgment of his poetry. There is no renounceing the fact that Arnold is a classical poet. But that is non all. He is more than that. The aim of this paper is to explore Matthew Arnold as a bridge between romanticism and modernism. For this purpose four-spot of his poems capital of Delaware Beach, The Scholar Gypsy, The Forsaken Merman and Thyrsis have been analysed.
It is a fact not to deny that Matthew Arnold is one of the really powerful emotional forces in English poetry. The themes which his poetry generally works out are those of suffer hearts, longing, frustration, and the depths of blankness and isolation. In his poetry “he usually records his own experiences, his own feelings of loneliness and isolation as a lover, his longing for a serenity that he cannot find.
”1 Arnold is a poet very some(prenominal) aware of the conflict in himself-the conflict which “tears him, and he sees it, and it becomes in our eyes all the more painful, but to a fault the more moving-not a muddle, but a battle; not stupid, but tragic. For Arnold was indeed at war with himself.”2 His literary career may be roughly classified into four phases-the period of discontent represented by the early poetry-the modernist Hellenism culminating in Culture and Anarchy-the eight-year period of the Biblical studies-the final decade in which Arnold returns to modernism. The two basic problems that Arnold deals with in his early poems are frenzy of the mind from nature and the sense of futility inherent in the cyclical concept of history.
The Victorian period may be regarded as isolated between two streams-Romanticism and Modernism. In Stanzas from the Grande Chartreuse Arnold admits that he...If you sine qua non to get a full essay, order it on our website: Orderessay
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