By, Scott Grinsell
In George Elliots lifetime England went through with(predicate) a series of tumultuous cultural, social, and stinting changes. By the time that she wrote Silas Marner in 1861, the moderately industrial, though primarily rural, Britain of her offspring had completely vanished, and the Britain of her parents youth only lingered like a developially forgotten reverie in her mind. Elliots Britain was dominated by scotch dynamism and the heartlessly pragmatic capitalist spirit. The introduction of industrial machinery combined with the mindset generated by Englands unusually old free-market, change farm-hands into factory workers, and coated Baroque cities with indelible soot stains. In the process of incorporating masses of people into a gargantuan economic machine, the lower classes were stripped of their individuality, their passions, and their humanity.
George Elliots Silas Marner is more than a witty pouf tale; embodied in Marner is the consciousness of the British during the latter(prenominal) part of 19th century. After his expulsion from Lantern Yard, his life became consumed by the mechanistic task of weaving on his loom, for the singular heading of amassing an immense pile of guineas.
As a result, Silas Marner was reduced to universe a moving part of his machine, just as the British people were consumed by their economy. Elliot exhorts the British in her gentle, artful way, through Marners story. She reminds us that only through the introduction of love and familiarity is he re-humanized and made into something more than a moving part of his economic machine.
Silas Marner turned to the hypnotizing labors of weaving to fill the emotional nullify created by his exile from Lantern Yard. He found solace in the rapidity, predictability, and monotony of his work. He used his loom-representative of the industrial equipment that slowly, and stealthily reshaped British culture in the early 19th century-to weave himself a new...If you want to get a full essay, order it on our website: Orderessay
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